May 03, 2022
5 mins Read
The true beauty of any art piece is in the sensory responses it invokes; the immediate gratification of seeing something wondrous; the enhanced appreciation of hearing about the creative journey imparted by the artist; the thrill of forming a tactile relationship with an artwork at close quarters; and the memories that become permanently attached to a piece when all of these facets converge. It is exactly these elements – and so many more – that make the Darwin Aboriginal Art Fair 2022 (DAAF) such a stand-out event.
Taking place annually on Larrakia Country, the fair has become a true celebration of First Nations art and culture, a vivid, joyous coming together of artists, art lovers, performers, designers and Aboriginal and Torres Strait Islander Art Centres.
With a buzzing marketplace where buyers have access to artists and Art Centres (and where 100 per cent of the money from the sale of artworks goes directly to the artists and their communities), a week-long cultural program of artist talks, masterclasses and the National Indigenous Fashion Awards and Country to Couture catwalk event showcasing unique fashion collections from First Nations designers and artists, as well as song and dance and food and fun, DAAF is about interaction and generosity.
Having seamlessly pivoted to a digital format in 2020 and 2021, DAAF will make a triumphant return to its intimate face-to-face experience at the Darwin Convention Centre this August, allowing artists and art lovers to benefit from once again being present and in the moment, exchanging knowledge and forging relationships beyond that of just a buyer and a seller.
While the measure of the fair’s success is in its ability to introduce a new, inquisitive and appreciative audience to the beauty and drama of Aboriginal and Torres Strait Islander Art, whether they be Australians who have made the (road trip) journey to Darwin or international art lovers logging on from outposts far and wide (given its huge success, there will continue to be an online presence at this year’s fair), it also fosters an increased recognition and understanding of Indigenous art, elevating and celebrating ancient art forms passed down through millennia. This in turn creates lasting economic benefits for First Nations artists and communities into the future.
One of the motivating principles of DAAF is to educate and encourage buyers to think and act ethically when it comes to purchasing Indigenous art.
Buying art in person and online during the Darwin Aboriginal Art Fair comes with the reassurance that no commission is charged, with all money going to the artists or Aboriginal-owned and operated community Art Centres.
While this exacting standard ensures the relationships formed at DAAF between artists and art lovers are mutually beneficial and morally responsible, it also confirms the foundation’s focus on fostering an environment in which Indigenous artists’ depth of talent and craftsmanship is celebrated and appreciated.
In fact, this is something the foundation champions 365 days a year, including by encouraging prospective buyers to be informed and guided by the Indigenous Art Code when adding to (or starting) their art collection.
The code is designed to ensure that Aboriginal and Torres Strait Islander artists are treated fairly, honestly and respectfully when it comes to the buying and selling of their works, and poses a number of questions that every buyer should consider and ask before purchase, including how the artwork or product ended up in the gallery or shop, how the artist will be paid for their work, how long the gallery has been in business, and whether it is a member of the Indigenous Art Code (which means it has agreed to follow the Indigenous Australian Art Commercial Code of Conduct).
Asking as many questions as you need, doing research before buying, exploring opportunities to buy directly from Art Centres and receiving an official Art Centre Authentication Certificate for the purchase of works over $250 will ensure your newly acquired artwork is as ethical as it is sure to be stunning.
Perhaps then the ultimate sense to be heightened by attending the Darwin Aboriginal Art Fair is that of gratitude, at the chance to interact with masters of their practice, to experience something totally unique to our shared country, to contribute to positive and beneficial outcomes, and to 65,000 years of stories and histories being shared so unconditionally.
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Love love the art work